“If in the following chapters I have laid special stress upon gardening for beautiful effect, it is because it is the way of gardening that I love best, and understand most of, and that seems to me capable of giving the greatest amount of pleasure. I am strongly for treating garden and wooded ground in a pictorial way, mainly with large effects, and in the second place with lesser beautiful incidents, and for so arranging plants and trees and grassy spaces that they look happy and at home, and make no parade of conscious effort. I try for beauty and harmony everywhere, and especially for harmony of colour. A garden so treated gives the delightful feeling of repose, and refreshment, and purest enjoyment of beauty, that seems to my understanding to be the best fulfilment of its purpose; while to the diligent worker its happiness is like the offering of a constant hymn of praise. For I hold that the best purpose of a garden is to give delight and to give refreshment of mind, to soothe, to refine, and to lift up the heart in a spirit of praise and thankfulness. It is certain that those who practise gardening in the best ways find it to be so.”
I’ll try to explain via several posts [not in any special order] via visual images, words, contrasting pairs of one or the other, etc… My intention is to provoke a grin, a chuckle, an “aha,” “ohhhh,” or “coolio,” “totally awesome, dude,” or “simply magnificent” while developing my own ideas about what you can do when you introduce instances of art and horticulture to each–a sort of extension of 21st-century cultural practices with centuries-old botanical processes (e.g., overlapping the disciplines and seeing what emerges).
Her’e’s a fun example, especially chosen for its grin-tickling qualities: Tree Pants by Peter Coffin, 2007.